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Using a selection of mixing tools it is possible to forge a sense of distance and depth within a Post-Production sound mix. EQ Positioning of an object emitting sound on screen in relation to the camera needs to be paid attention … Continue reading
When it came to panning sound effects created for the Big Buck Bunny soundtrack I felt it was important that the soundfield appear relatively expansive, therefore the full amplitude-panning range was utilised within Pro Tools. Also, because of the rural environments … Continue reading
This was a question that for a while completely stumped me whilst mixing my soundtrack for BBB. I had never worked on a film set in the outdoors and with only one previous Post-Production work to my name which was set … Continue reading