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Using a selection of mixing tools it is possible to forge a sense of distance and depth within a Post-Production sound mix. EQ Positioning of an object emitting sound on screen in relation to the camera needs to be paid attention … Continue reading
When it came to panning sound effects created for the Big Buck Bunny soundtrack I felt it was important that the soundfield appear relatively expansive, therefore the full amplitude-panning range was utilised within Pro Tools. Also, because of the rural environments … Continue reading
In the time since my last post much progress has been made. The stereo mix is finished and the design for the subjective testing phase is well on the way. In this post I will reveal the video clips from … Continue reading
This was a question that for a while completely stumped me whilst mixing my soundtrack for BBB. I had never worked on a film set in the outdoors and with only one previous Post-Production work to my name which was set … Continue reading
As touched upon in the previous post, the ambience track needed several adjustments to make sure it functioned correctly. The main issues to contend with were: Unwanted noises, including clips and pops Relatively high noise floor Here I will demonstrate … Continue reading
Recording for BBB is now well and truly on the way. So far lots of sounds have been achieved using objects around the house. Recording at home seemed necessary as it would be unfeasible to carry items for the studios … Continue reading